Akitu (the New Year
Festival) and Newruz (Nuroz)
By Fred Aprim
4/27/2004
Many
nationalities, ethnic and religious
groups in the Near/Middle East and
Central Asia, like the Assyrians,
Persians, Afghanis, Kurds, and Baha'is
celebrate the arrival of spring season.
This occasion, mostly celebrated on
March 21 (for Baha'is will be then on
the 22nd since their day
starts at sunset), represent the
beginning of these groups' national
calendar and their own new year.
However, since the Kurds of Iraq have
aroused suspicion by politicizing this
ancient tradition, which is not theirs
to start with, it was important to
explore and differentiate between the
myth from one hand and the historical
and traditional accounts from the
other.
The Akitu
festival is one of the oldest recorded
religious festivals in the world,
celebrated for several millennia
throughout ancient Mesopotamia. Yet, the
Akitu was more than just a
religious ceremony—it acted as a
political device employed by the
monarchy and/or the central priesthood
to ensure the supremacy of the king, the
national god, and his capital city.
Politics and religion in Mesopotamia
were irrevocably intertwined. Myths and
their supportive rituals justified
social institutions and legitimized
rulers. Akitu festival was a tool
wielded by the monarchy and ruling class
to promote state ideology [1]. The
Akitu festival demonstrates the
effectiveness of religion as a political
tool. Some of the earliest reference
date back to the middle of the third
Millennium B.C. referring to an Akitu
building or celebration at Nippur. In
the pre-Sargonic period, the Akitu
Festival is attested at Ur,
providing for example the names for its
months. Economic documents indicate that
in the Sargonic and Ur III periods (2350
– 2100 B.C.), the Akitu was a
semi-annual festival, being observed
first at Ur, Nippur, and Uruk, and later
in Babylon and Assyria. The arrival of
spring season was celebrated lavishly in
Assyria and Babylonia for 12 (twelve)
days in what is documented as the
Akitu (Sumerian A-ki-ti) Festival or
New Year Festival. The Assyrian and
Babylonian Akkadian term used for the
festival is called ręš šattim (resh
shattim), today's Assyrians continue
to use the term "resh shita," meaning
"the beginning of the year," which
begins in the month of Nisan, the first
month of the year for the
Assyrians/Babylonians. The history of
Akitu Festival is recorded in
cuneiform and is translated to many
languages as a genuine Mesopotamian
tradition. Additionally, parts of these
festivities were recorded in the
Sumerian Epic of Creation [2].
In Mesopotamia,
when it came to agriculture, these
festivities were celebrated twice a
year. For fallow lands the Spring
Equinox marked the important phases of
washing the land to remove impurities
such as excess of salinity, as well as
to ensure the appropriate softening up
the soil, whereas the Autumn Equinox
marked the beginning of harvest. For
cultivated fields, on the other hand,
the Spring Equinox marked the beginning
of harvest, whereas the Autumn Equinox
marked the fallowing season.
Furthermore, the highlight of the
Akitu Festival was the Akitu
procession, which commemorated the god
leaving his temporary residence and
entering his new permanent residence in
his chosen city for the very first time.
The inner meaning of the festival was
therefore the celebration of the time
the god had chosen that specific place
as his city, to guard and protect from
that moment until the end of times [3].
During the
festivities, the creation epic of
Enűma eliš was recited, while the
people sang all kinds of hymn and songs
[4]. Contenau puts the Akitu Festival
in Babylon this way. The Akitu
Festival came to have a double
character. It originated in nature
festival, with features which expressed
simultaneously nature's grief at the
death of all growing things and her joy
at their rebirth. On to this had been
grafted the glorification of Marduk. In
Babylon, Marduk received in his temple
of Esagila all the gods of other great
cities in the shape of their statues,
the first being his son Nabu, worshiped
in Borsippa. Marduk disappears, but then
grief is changed to gaiety on his
reappearance, and the entire company of
gods was escorted in a great procession
to the temple outside the city, known as
Akitu. In between, many sacred
performances took place, which glorified
Marduk as hero and victorious against
Chaos and included a sacred marriage
ceremony. After the ceremonies, the
statues were returned to their temples
[5]. In Assyria, almost similar rituals
took place; however, the supreme god was
Ashur and he had to fight the monster
Tiamat. On the second of Nisan, god
Ashur, after receiving a breakfast, left
his temple in a chariot drawn by white
horses leading a procession of gods to
the Akitu House in the open
country outside Nineveh where the
special rituals took place [6].
When the Medes and
Scythians (aided by the Babylonians)
attacked Assyria and its capital
Nineveh, the Medes came in direct
contact with Assyrian civilization. The
influence of Assyrian civilization on
many dynasties that originated from the
Zagros Mountains and beyond, including
the Medes, Persians, Achaemenids, and
Parthians is well attested by many
scholars and history books. The
influence of Assyrian art and system of
ornamentation at the monumental stairway
of the Apadana at Persepolis (Pasargadae)
is a living proof [7]. Yet,
earlier, it
was a civilization of the Iranian
plateau, the Elamites, who adopted the
written language of Akkadian as the most
universal language of the area for two
millennia. Furthermore, much of what is
known about Elamite civilization comes
to us from Sumerian, Babylonian, and
Assyrian records [8]. Suffice to know
that Akkadian was so important to the
Achaemenid Persian King Darius I that he
used it in his very famous tri-lingual
inscription at the Rock of Behistun.
There are many
legends and myths about the Persian
origin and Kurdish adopted New Year,
also known as Newruz (also
written NuRoz). To Persians, Nu Roz (new
day, time or usually translated to New
Year) ceremonies are symbolic
representations of the ancient concept
of the "End and the Rebirth." Few weeks
before the New Year, Iranians (Persians)
clean and rearrange their homes. They
make new clothes, bake pastries, and
germinate seeds as sign of renewal. The
ceremonial cloth is set up in each
household. Troubadours (Haji Firuz)
disguise themselves with makeup and wear
brightly colored outfits of satin. These
Haji Firuz parade the streets while
singing and dancing using tambourines,
kettle drums, and trumpets to spread
good cheer and the news of the coming
new year. Last Wednesday of the year (Chahar
Shanbeh Suri), bonfires are lit in
public places and people leap over the
flames, shouting: "Give me your
beautiful red color and take back my
sickly pallor!" With the help of fire
and light symbols of good, people hope
to see their way through the unlucky
night - the end of the year- to the
arrival of springs longer days.
Traditionally, it is believed that the
living were visited by the spirits of
their ancestors on the last day of the
year. Many people specially children,
wrap themselves in shrouds symbolically
reenacting the visits. By the light of
the bonfire, they run through the
streets banging on pots and pans with
spoons (Gashog-Zani) to beat out the
last unlucky Wednesday of the year,
while they knock on doors to ask for
treats. In order to make wishes come
true, it is customary to prepare special
foods and distribute them on this night.
Noodle Soup a filled Persian delight,
and mixture of seven dried nuts and
fruits, pistachios, roasted chic peas,
almond, hazelnuts, figs, apricots, and
raisins [9], or seven well-known crops,
familiar to the Persians prior to the
advent of Islam and the Arab
domination.
The Achaemenian
Persians had four major residences one
for each season. Persepolis was their
spring residence and the site for
celebrating the New Year. Stone carvings
in Persepolis show the king seated on
his throne receiving his subjects,
governors, and ambassadors from various
nations under his control. They are
presenting him with gifts and paying
homage to him. These scenes resemble
greatly Assyrian art in Assyrian king's
palaces. Although there is not too much
about the details of the rituals, still,
it is well known that mornings were
spent praying and performing other
religious rituals. Later on during the
day, the guests would be entertained
with feasts and celebrations.
Furthermore, the ritual of sacred
marriage took place at this palace. Most
of these same rituals were rooted in
ancient Mesopotamia [10]. Zarathushtra
(called Zoroaster by the Greeks) is said
to have lived between 628-551 B.C. Other
accounts pin his birth date in 570 B.C.
It is documented that it was he who
converted the Chorasmian King Vishtapa.
Other historians and traditions go
further and claim that he lived between
1400 and 1200 B.C. It is also possible
that there could have been more than one
Zarathushtra. Either way, it is known
fact that Zoroaster had great influence
and impact on Persian religion. Even if
he had lived around 1400 B.C., his
influence came about two millennia and
perhaps more after the Akitu Festival
was practiced in Mesopotamia. The point
is that it is very likely that the
Persians had copied the principles of
the New Year Festival from the much
earlier Assyrian/Babylonian civilization
than from the latter Zoroaster.
Meanwhile, Kurdish
nationals, especially those of Iraq, and
for a good reason that I will address
later, narrate the most unsubstantiated
accounts about the origin of Newruz. For
example, Ardishir Rashidi-Kalhur, claims
that the Kurds' ancestors started to
celebrate this festival in the mountains
of kurdistan in 728 B.C. Rashidi-Kalhur
goes yet further and claims that the
original name of the celebration was the
Kurdish word "NuRoj" and not "Nuroz"
since Kurdish is the original language
of the Iranians, it predates and
precedes the Persian language by 1,200
years. The writer, however, admits that
the modern Kurdish language was derived
from Fahli language (Pahli language,
which in ancient times was known as
Pahlavi). It was after the Arab
invasion, he states, that the "P" in
Pahli switched to "F" and thus Fahli
[11]. Fact is that historical references
or reliable documentation, which prove
the presence of specific people under
the name of Kurds who celebrated this
occasion in antiquity, are absent. As
far as the outrageous claim that Kurdish
language preceding the Persian, I will
leave that to linguists to argue.
Other Kurds have
associated the Kurdish Newruz with a
Persian legend but manipulated the
origin of certain figures in that legend
to suit Iraqi Kurdish national
objectives. If
you ask Kurds of Iraq today what is
Newruz; they will immediately reply, "it
is the celebration of the victory of
Kawa the Kurdish smith over the cruelty
of the Assyrian king Zahak." According
to the Kurdish version of the legend,
two snakes grew on the shoulders of the
Assyrian King Zahak, which caused him
much pain. Each day these snakes were to
be fed the brains of two children to
alleviate the king's pain. Every family
had to contribute in feeding the snakes
by scarifying their children; thus,
people hated the Assyrian king and could
not tolerate seeing their children being
killed. Kawa has already sacrificed 16
out of 17 of his children previously;
however, his turn came again to
sacrifice his last daughter. Kawa
thought how to rescue his last daughter
and tricked everybody by presenting the
brains of sheep instead of children.
With time, the other people began to
practice the same trick while the saved
children were hid in the Mountains of
Zagros. Kawa trained these children on
how to become fighters and depend on
themselves. In time,
Kawa turned
the children into an army and one day
they revolted and marched towards King
Zahak's castle and Kawa smote the king
with his hammer
and the two serpents withered.
Kawa then climbed to the top of
the mountain above the castle and lit a
large bonfire to tell all the people of
Mesopotamia that they were free.
Hundreds of fires all over the land were
lit to spread the message and the flames
leapt high into the night sky, lighting
it up and cleansing the air of the smell
of Dehak and his evil deeds. The fires
burned higher and higher and the people
sang and danced around in circles
holding hands with their shoulders
bobbing up and down in rhythm with the
flute and drum. The women in bright
colored sequined dresses sang love songs
and the men replied as they all moved
around the flames as one [12]. Although
many groups celebrate Newruz (Nuroz),
Kurds state that it is especially
important to them as it is also the
start of the Kurdish calendar and that
it reflects the Kurds own long struggle
for freedom.
Few other versions
of the legend coincide the day of the
revolt of Kawa exactly with the fall of
the Assyrian Empire in 612 B.C. These
versions claim that the saved children
gradually became a community, married to
each other, and brought onwards
offspring. Kawa then trained them as
fighters and established in them the
love of freedom and liberty. This
Kurdish version then claims that on
March 21, 612 B.C., Kawa led them in an
attack on the king's palace, and ended
one of the darkest rules in the Middle
East [13].
Neither Persian nor
Afghani people celebrate Newruz based on
this precise Kurdish version of the myth
that includes an Assyrian king. Although
the Persian version mentioned King Zahak;
however, there is no connection to
Assyrians. In fact, and according to
Dr Hussein Tahiri,
a 1991
Iranian calendar published by a group
called the Guardians of the Iranian
Culture, outlines the seventh of
October as the anniversary of the
victory of Kawa over the Arab Zahak. In
view of this group, Zahak was an Arab
[14]. The story of Zahak is told
in the 13th century Ferdosi's (Persian
poet) Shahnameh (the book of Kings).
These are mythical stories about the
Persian history. According to this
source, Zahak was an Arab king and ruled
one day short of 1000 years. He was not
killed by Kawa (Kaveh) as the Kurds
claim but was captured by the Persian
king Feraydune and chained in the
mountain of Damavand north of Tehran
where he died. By the way, according to
Ferdosi, Feraydune ruled for 500 years.
This legend is therefore dated to post
Islamic Arab conquest, and since there
was no Arab influence in the region
before Islam, therefore it cannot
predate the Assyrian/Babylonian
narratives. Other legends claim that
Zahak was the last king of the Medes.
This latter legend states that the
Persians revolted against the evil deeds
of the king of the Medes.
Where does
this connection between the Persian
(Iranian) and Kurdish legends coincide,
even if in some aspects? History tells
us that the name Iran was derived
from the word "Aryana," which meant "the
[land] of the Aryans." These Aryans
entered the Iranian plateau in around
1,500 B.C. Earlier, the land was
occupied by aboriginal Caspians. The two
main Aryan tribes were the Medes and the
Persians. Later, the Medes lived the
northern region of the plateau while the
Persians moved south to the Elamite land
[15]. The Zagros Mountains became the
home of many of these two groups.
History tells us further that the
Assyrian King Tiglath-pileser III
conquered and deported 65,000 Medes,
replacing them on the Iranian plateau
with Aramaeans. Additionally, Assyria's
Sargon II defeated dozens of Median
chiefs and settled 30,000 captured
Israelis in the towns of the Medes in
the late eighth century B.C. [16]. This
mix of people in the Iranian plateau and
Zagros Mountains could have planted the
seeds of a new breed of people who
became later known as Kurds.
The story of the
Kurdish Kawa has been used a lot by
Kurdish nationals and resistance
movements, especially by Iraqi Kurds.
However,
Dr. Hussein Tahiri states that
when
and how Kurdish Newruz began is not
clear for the Kurds and that there is
much ambiguity about the origin of the
practice. The claim by the Kurds that
Newruz is the celebration of the victory
of Kawa, the Smith, over Azhdahak or
Zahak seems contradictory and ambiguous
as well. Tahiri adds that the Kurds have
done no research on the origin of Newruz.
The available research is from the
Persians, and they regard Newruz as an
Iranian national celebration. So why do
Kurds practice or create a blind
culture, asks
Dr. Hussein Tahiri [17]. Furthermore,
why do Kurdish
nationalists and history writers invent
such a myth, i.e. a Kurdish hero
executing presumably the end of Assyrian
cruel king and indirectly sometimes and
directly in others as being the reason
for the end of the Assyrian empire?
There is not one reliable historical
fact linking the fall of Assyria at the
hands of a group of people called Kurds,
not even one. Why would
Kurds then take a Persian tradition,
manipulate it to represent "Kurdish"
traditions, and then politicize it in
such manner?
It is obvious that Kurdish nationalists
in the last century, or century and a
half, have realized the real historic
threat of Assyrians to Kurdish national
dream in Iraq. Only Assyrians have
legitimately a historical claim to
Assyria (northern Iraq) since Kurds are
not the original inhabitants as they are
mainly from the Zagros Mountains in
present Iran and southern Armenia, in
the mountains of Hakkari (Kurds call
kurdistan). Therefore, they see it
necessary to plant this feeling of
struggle and conflict in the hearts and
minds of common Kurds; such feelings
lead naturally to hatred towards
indigenous Assyrians. It is the Kurdish
nationalist's way to demonize and
incriminate the Assyrians so that the
Assyrian case in their own homeland be
undermined.
In
conclusion, the Nisan New Year Festival
(Akitu) was rooted in Sumer,
Assyria, and Babylonia before any Aryan
people (Persians or Kurds) moved to the
region of the Near East. Meanwhile, it
is very clear from the point of view of
many historians that
there is an ambiguity in the origin of
Newruz for Kurds. Since the origin of
the Kurds as people is ambiguous,
therefore, it is natural that the origin
of their traditions is ambiguous as
well. Kurdish nationals must stop
fabricating stories like that of Kawa
and the mysterious Assyrian cruel king
who allegedly was the reason behind
killing two children daily. Spreading
such illusionary and fanciful stories is
geared towards one purpose and that is
planting feelings of bigotry and hatred
among Kurds towards the Assyrians; the
rightful and original owners of northern
Iraq lands (Assyria). These mythical
stories are regrettable and deplorable;
they do not serve mankind in any civil
way.
References:
[1] Bidmead, Julye.
The Akitu Festival: Religious
Continuity and Royal Legitimation in
Mesopotamia. Gorgias Dissertations:
Near Eastern Studies 2, 2002.
[2] Saggs, H. W. F.
The Greatness that was Babylon.
New York: Mentor Books, 1968.
[3]
http://www.gatewaystobabylon.com/religion/sumerianakitu.htm
[4]
http://www.livius.org/aj-al/akitu/akitu.htm
[5] Georges
Contenau. Everyday Life in Babylon
and Assyria. London: Edward Arnold
Ltd, 1955.
[6] Saggs, H. W. F.
The Might That Was Assyria.
Reprint. London: Sidgwick & Jackson,
1985.
[7] Andre Parrot.
The Arts of Assyria. New York:
Golden Press, 1961.
[8]
http://www.san.beck.org/EC6-Assyria.html
(The Persian Empire).
[9]
http://www.aiap.org/norooz/about_norooz.html
[10]
http://tehran.stanford.edu/Culture/nowruz.html
[11]
www.KurdishMedia.com
(Article titled
"History
of Newroz" by
Ardishir Rashidi-Kalhur of the
Kurdish American Education Society.)
[12] a)
http://www.kurdmedia.com/ac/ac.asp?id=130
(Article by
Mark
Campbell titled
"Kawa
and the story of Newroz.")
b)
Abdul Rahman Ghassemlou. "Kurdistan and
the Kurds." Balinge, JN Wesanin Jina Nu,
1991.
c)
http://www.kurdishyoungsters.8k.com/whats_new.html
[13]
http://members.lycos.co.uk/peyman01/Kawa.html
(Internet page titled Kurdish heroes /
Kawa.)
[14]
http://www.kurdmedia.com/reports.asp?id=133
(Article by
Dr. Hussein Tahiri
titled: Is Newruz the Kurdish national
day?)
[15] Jack
Finegan. Light from the Ancient Past.
Vol. 1. London: Oxford University Press,
1969.
[16]
http://www.san.beck.org/EC6-Assyria.html
(The Persian Empire)
[17]
http://www.kurdmedia.com/reports.asp?id=133
(Article by
Dr. Hussein Tahiri
titled: Is Newruz the Kurdish national
day?)
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