Courtesy
of the
New York
Times
26 July
2006
By Barry
Meier &
James
Glanz
One
of the
most
important
treasures
looted
in the
ransacking
of
Iraq’s
national
museum
three
years
ago has
been
recovered
in a
clandestine
operation
involving
the
United
States
government
and was
turned
over to
Iraqi
officials
in
Washington
yesterday.
The
piece, a
headless
stone
statue
of the
Sumerian
king
Entemena
of
Lagash,
was
stolen
in the
days
after
the fall
of
Baghdad.
In the
wake of
the
looting,
American
officials
came
under
sharp
criticism
from
archaeologists
and
others
for
failing
to
secure
the
museum,
a vast
storehouse
of
artifacts
from
civilization’s
first
cities.
 |
A headless stone statue of the Sumerian king Entemena of Lagash, looted in the ransacking of Iraq’s National Museum three years ago, has been recovered.
|
U.S.
Helps
Recover
Statue
and
Gives It
Back to
Iraqis
The
Entemena
statue
was
taken
across
the
border
to
Syria,
and put
on sale
on the
international
antiquities
market.
Thousands
of
looted
artifacts
that
remained
in Iraq
— from
tiny
cylinder
seals to
the
famed
Warka
Vase —
have
since
been
returned
to the
museum,
and a
few
pieces
have
been
turned
over by
foreign
countries,
including
Italy
and the
Netherlands.
But the
Entemena
statue,
estimated
to be
4,400
years
old, is
the
first
significant
artifact
returned
from the
United
States
and by
far the
most
important
piece
found
outside
Iraq.
American
officials
declined
to
discuss
how they
recovered
the
statue,
saying
that to
do so
might
impair
their
efforts
to
retrieve
other
artifacts.
But
people
with
knowledge
of the
episode
described
a
narrative
that
included
antiquities
smugglers,
international
art
dealers
and an
Iraqi
expatriate
businessman
referred
to as
the
broker
who was
the
linchpin
in
efforts
to
recover
the
piece
and
bring it
to the
United
States.
Since
early
June,
the
statue
has been
in an
art
storage
warehouse
in
Queens.
American
officials
had
planned
to turn
it over
to the
Iraqi
government
at a
public
event,
said
Marc
Raimondi,
a
spokesman
for the
Department
of
Homeland
Security.
That
opportunity
presented
itself
yesterday
when the
Iraqi
prime
minister,
Nuri
Kamal
al-Maliki,
visited
Washington,
where he
discussed
security
problems
in
Baghdad
with
President
Bush.
In
interviews
over the
weekend
in
Baghdad,
Iraqi
officials
expressed
relief
that the
statue
of the
king,
which
had
stood in
the
center
of the
museum’s
second-floor
Sumerian
Hall,
had been
found.
But the
same
officials
voiced
frustration
at what
they
said was
the slow
pace of
international
cooperation
on the
recovery
of
artifacts.
“I’m
overwhelmingly
happy,”
said
Liwa
Sumaysim,
the
Iraqi
antiquities
minister.
“We hope
we get
it soon
so it
goes
back in
the
Iraqi
museum,
where it
belongs.”
A
spokesman
for the
antiquities
ministry,
Abdul
Zahra
Talqani,
said the
ministry
first
received
word of
the
recovery
about
two
months
ago. He
said
hopes
had been
raised
in the
past,
after
reports
of the
recovery
of the
statue
in Iraq,
but
those
pieces
turned
out to
be clay
copies
that had
also
been
looted
from the
museum.
In June,
not long
after
the
statue
was
brought
to the
United
States,
two
antiquities
scholars
were
taken to
the
Queens
warehouse,
known as
The
Fortress,
to
authenticate
it. The
statue,
which is
made of
diorite,
a hard,
dark
rock
similar
to
granite,
was
encrusted
with
dirt,
suggesting
that it
might
have
been
concealed
during
its
sojourn
in
Syria.
In
addition,
there
were
fresh
chips
along
parts of
its
stone
surface
that did
not
appear
in
historical
photographs,
indicating
recent
damage.
Mohsen
Hassan,
an
expert
at the
museum’s
commission
on
antiquities,
said
that the
statue,
which
weighs
hundreds
of
pounds,
was the
heaviest
piece
stolen
from the
museum
and that
looters
probably
rolled
or slid
it down
marble
stairs
to
remove
it,
smashing
the
steps
and
damaging
other
artifacts.
The
statue
of
Entemena
of
Lagash
is among
the most
important
artifacts
unearthed
in
excavations
of Ur,
an
ancient
southern
city.
The king
is
dressed
in a
skirt of
tasseled
sheepskin
and his
arms are
crossed
in
prayer.
Detailed
inscriptions
run
along
the
figure’s
shoulder
and
back.
The
statue
was
found
headless
when
originally
excavated,
and
experts
say its
head
might
have
been
lopped
off in
ancient
times to
symbolize
Ur’s
emancipation
from
Lagash.
One of
the
experts
who
authenticated
the
statue,
John M.
Russell,
a
professor
at the
Massachusetts
College
of Art
in
Boston,
said it
was not
only
archaeologically
significant
but also
striking
because
the
king’s
muscular
arms
were
sculptured
in a
lively,
naturalistic
style.
Earlier
sculptural
styles
were
cruder,
he said.
Efforts
to sell
the
statue
began
not long
after it
was
stolen,
said
people
with
knowledge
of the
episode.
Hicham
Aboutaam,
an
antiquities
dealer
who owns
galleries
in New
York and
Geneva,
was
approached
while
visiting
Lebanon
and
shown a
picture
of the
statue
to gauge
his
interest
in
buying
it,
those
people
said.
Initially,
those
holding
the
statue
were
seeking
millions
for it,
one
person
said.
Mr.
Aboutaam
soon
discovered
that it
had been
stolen
and did
not
pursue
the
deal.
It is
not
clear
precisely
when or
how Mr.
Aboutaam
— who
pleaded
guilty
in 2004
to a
federal
charge
of
falsifying
a
customs
document
related
to a
different
artifact
—
informed
federal
officials.
He and
his
brother
and
business
partner,
Ali
Aboutaam,
declined
to
answer
specific
questions
about
the
episode.
Last
year,
federal
prosecutors
in New
York
contacted
Hicham
Aboutaam
and
expressed
interest
in
trying
to
recover
the
statue,
said one
person
with
knowledge
of those
events.
Mr.
Aboutaam
agreed
to help.
Subsequently,
he or
his
brother
made
contact
with an
Iraqi
expatriate
businessman
now
living
in
Europe.
Soon,
that
businessman,
who was
referred
to as
the
broker,
became
the
pivotal
figure
in
securing
the
statue.
Little
is known
about
the
businessman
other
than
that he
is
involved
in
construction.
But he
began to
shuttle
among
Iraq,
Syria
and
other
countries
to make
contact
with
those
holding
the
statue
and to
negotiate
its
turnover.
It was
not
known
whether
money
had been
paid to
those
holding
the
statue
or
whether
promises
had been
made.
When
asked
what
would be
done
with the
statue,
Mr.
Hassan,
the
museum
official,
did not
hesitate.
“We will
fix it
and put
it in
the same
place
where it
was,” he
said,
adding
that
security
had
largely
been
restored
at the
museum,
which is
close to
notorious
Haifa
Street
in a
district
that
periodically
erupts
in
violence.
But a
tour of
the
building
over the
weekend,
granted
reluctantly
by Mr.
Hassan,
raised
questions
as to
how the
museum
could
function
while
housing
valuable
artifacts
like the
statue.
A walk
down a
corridor
toward
the
Sumerian
Hall,
for
example,
ended
abruptly
at a
concrete
wall,
which
someone
had
crudely
crosshatched
with a
fingertip
to
simulate
bricks.
Mr.
Hassan
awkwardly
conceded
that
four
times
since
the
invasion,
he had
been
forced
to wall
off the
collections
as the
only
reliable
means of
preventing
further
looting.
He said
he most
recently
put
walls up
a couple
of
months
earlier
after a
mass
kidnapping
close to
the
museum
gates.
“When
things
get
better,”
he said,
“we
break
it.”